The other thing is that I feel like I'm playing a little bit of catch up. Doing Harolds is still pretty different from playing InnerSong to end Act One and then finding your prop-up for Sitcom. It's a mind-set change as well, because it's not like I was some super established improvisor before I left. All I really had to my name was the Good Time Hour, and possibly Otis, but we were never a team Charna liked. Since I've been back, several people have talked to me about GTH, so that sort of cements why I feel like that. Plus, performing here is different in tone. Boom was entirely about getting a laugh. Chicago is different. You're allowed more room for the scenes to breathe, and acting is much more neccesary. It'll take a little adjustment, just like Boom took months for me to get used to before I was performing at the level I felt was at least decent.
Now that I'm back, I really wish we had done a Harold while I was at boom. We never did as the perception was that it would NOT work, and I agreed with that, but now I wish that I hadn't. It would have been a blast and had confused the audience in such a great way that I would have loved it.

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